| “…joyous,
irresistible garage punk with sunshine choruses”—The
Guardian |
| "Each
of their songs was a barrage of distorted guitar noise and
they obviously thought they were the coolest 11-year-olds
on the planet. They quite possibly are.” —The
Telegraph |
| "Marvelous
stuff"—Artrocker
Magazine |
| “This
2:43 minute slice of detached cool comes across like Suicide
crashing a Shaggs rehearsal. How can you resist: "You
say yes, I say no. You say stop, I say go. You say up, I say
down. You say smile, I say frown. Stickin' it to The Man,
stickin' it cos I can, stickin it to The Man, every day."
Genius.”—David
Bowie |
| "lo-fi,
high-intensity fun, with life and urgency and sloganeering
and glorious edgy dumbness. It evokes images of gritty,
black and white footage of all-but-riots of performances
in low ceilinged clubs of dubious legality, and should be
checked out by anyone and everyone with a weakness for precocious,
attitudinal punk thrills.” —Drowned
in Sound |
| "...remarkable"—Newsweek
Magazine |
| "...cuter
and more uplifting than a barbershop quartet of kittens humming
Beach Boys songs...frankly genius..."—Bizarre |
| "Big
Noise has an undeniable DIY charm to it."—Drowned
in Sound |
| “Clap
Your Hands Say Yeah may have been the headliners, but pint-sized
punks Tiny Masters of Today stole the show. With hair disheveled
beyond their years, they vented pre-teen angst through their
three-chord rants, bringing Fred Schneider of the B-52s and
Kimya Dawson onstage as guests.”—Spin.com |
| “…their
songs are like Sesame Street being brought to you by the letters
D, E, V, and O and with Kim Gordon playing Cookie Monster.”—NME |
|
 |
|
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