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“…joyous,
irresistible garage punk with sunshine choruses”—The
Guardian |
"...loose, punky songs full of political rage"--Details |
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"Each
of their songs was a barrage of distorted guitar noise and
they obviously thought they were the coolest 11-year-olds
on the planet. They quite possibly are.” —The
Telegraph |
"..a wonderfully scuzzy brand of distorted garage rock. Better still are the anti-corporate lyrics which fortunately avoid the trap of worthy bullshit."--Observer Music Monthly |
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"Marvelous
stuff"—Artrocker
Magazine |
"...feral garage rock that turns their limitations--sloppy guitar skills, limited vocabulary--into an asset." --Spin |
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“This
2:43 minute slice of detached cool comes across like Suicide
crashing a Shaggs rehearsal. How can you resist: "You
say yes, I say no. You say stop, I say go. You say up, I say
down. You say smile, I say frown. Stickin' it to The Man,
stickin' it cos I can, stickin it to The Man, every day."
Genius.”—David
Bowie |
"...these two are so good, so soon, it's actually quite scary."--Dazed & Confused |
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"lo-fi,
high-intensity fun, with life and urgency and sloganeering
and glorious edgy dumbness. It evokes images of gritty,
black and white footage of all-but-riots of performances
in low ceilinged clubs of dubious legality, and should be
checked out by anyone and everyone with a weakness for precocious,
attitudinal punk thrills.” —Drowned
in Sound |
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"...remarkable"—Newsweek
Magazine |
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"...cuter
and more uplifting than a barbershop quartet of kittens humming
Beach Boys songs...frankly genius..."—Bizarre |
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"Big
Noise has an undeniable DIY charm to it."—Drowned
in Sound |
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“Clap
Your Hands Say Yeah may have been the headliners, but pint-sized
punks Tiny Masters of Today stole the show. With hair disheveled
beyond their years, they vented pre-teen angst through their
three-chord rants, bringing Fred Schneider of the B-52s and
Kimya Dawson onstage as guests.”—Spin.com |
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“…their
songs are like Sesame Street being brought to you by the letters
D, E, V, and O and with Kim Gordon playing Cookie Monster.”—NME |
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